The defiances changed for Arje when we started to work in larger formats instead of jewellery. By drawing a great number of large sketches in charcoal on grey paper he captured...

The boundaries between craftsman and artist become blurred in Griegst’s work. Nature isn’t imitated but interpreted with a fairytale-like approach of awe, wonder and mischief.    

Arje in Pietrasanta, Italy in 1996